Closed Caption Support – What You Need to Know to Comply with the 21st Century Communications and Video Accessibility Act

On April 30, 2012 new rules went in to effect governing accessibility standards for Internet video.  These rules require the use of closed captioning for online distribution of video that was aired on TV (broadcast, cable, or otherwise).

48M people in the US (up to 15% of your site’s visitors) are deaf or have some degree of hearing loss. Providing accessibility extends your audience reach in the deaf community, as well as helps you meet legal requirements. But closed captioning technology can appear complicated and obscure. How can a publisher understand captioning technology, comply with the new legislation, and make caption support an easy part of video workflow?

Captions at Zencoder – Help Test Beta Closed Caption Feature

This month, Zencoder released beta support for closed captioning. Our first version provides support for Apple HTTP Live Streaming (HLS) captions, for iPad, iPhone, and for other devices that support HLS captions. We’re working on a range of other formats, like DFXP/SMPTE-TT, which we’ll announce soon. If you’re interested in learning more about closed caption support, sign up for our Closed Captioning Beta.

The Guidelines

The FCC rules go into effect in stages, and the National Association of the Deaf has a helpful guide for understanding this schedule.  By the following dates, content providers must provide full support for captioning.

  • September 30, 2012: Prerecorded TV programming that has not been edited for Internet distribution
  • March 30, 2013: Live and near live programming that was recorded within 24 hours of broadcast on television;
  • September 30, 2013: Prerecorded programming that is edited for Internet distribution

By September 30, 2013, 100% of new video programming shown on television with captions must have captions when shown online.

There is a different schedule for archived programming that is re-aired on TV, and subsequently distributed online.  Full caption support must be provided by the following dates:

  • The programming must be captioned within 45 days after the date it is shown on television with captions on or after March 30, 2014;
  • The programming must be captioned within 30 days after the date it is shown on television with captions on or after March 30, 2015;
  • Such programming must be captioned within 15 days after the date it is shown on television with captions on or after March 30, 2016.

And it’s not just content that is under the perview of the new regulation.  Device manufacturers have responsibilities as well.  By January 1, 2014, all devices that play back Internet video must support closed captioning.

Are captions the same as subtitles?

There is a lot of confusion and ambiguity around subtitles and closed captioning. They are not the same, though the technology is converging. Technically, captions are intended to make video accessible to the hard of hearing, and often include more than just dialog: a caption track may include cues about who is speaking or mention other sounds (background music, a knock at the door). Subtitles are used for translation: making dialog understandable to someone who doesn’t understand the spoken language. Theoretically, subtitles wouldn’t need to mention that there was a knock at the door, because the viewer would hear that, regardless of whether or not they speak the language.

Beyond this, there are other differences between subtitles and captions. Subtitles are often included externally to a video stream, whereas captions have historically been encoded directly into the video; if you’ve ever seen white lines in the overscan area of a video, that is how closed captions are transmitted for broadcast content. Another way to slice it: captions are a TV setting, decoded from the broadcast video stream itself, whereas subtitles are a DVD option, where a user can choose an subtitle language (or no subtitles). So the two have historically used different technology, though for internet delivery, the technology is converging.

API V1 Deadline Extended

Here at Zencoder we are continuously working on improving our service. This sometimes means making changes to our API. In our first 2 years as a public service, we haven’t had to make a backwards-incompatible change to our API, and we’re proud of this. But a few months ago, we announced Version 2 of our API, which made some changes that could affect customer integrations. We announced that we would be discontinuing the V1 API on June 1 and that we would require customers to move to V2 before that date.

We’ve since decided to hold off on the June 1 deadline. This means that you will not be required to migrate to V2 on June 1. Instead, we are working on a new API version, V3, which will be coming towards the end of summer. Since V2 and V3 are being released just a few months apart, we will continue to support API V1 until V3 is here, so you would only have to upgrade once. We will be announcing specific dates and features soon.

We know that required API upgrades can be disruptive, which is why we have been very careful with these sorts of changes. The changes introduced by V2 improve the usability, reliability, and functionality of our application, and we’re excited to introduce further improvements in V3. We will always keep these changes minimal, so that upgrading from one version to another can be done quickly and easily.

Check out our online API Version History to stay on top of version announcements, and for info on updating to new API versions.

If you have further questions, please email our support at help@zencoder.com.

Zencoder Cloud Media Workflow Webinar

On 5/10/2012 we’re taking part in a web event in conjunction with StreamingMedia.com.

The panelists will explore:

  • Benefits of using the cloud for video encoding
  • Understanding the key differences between live and file-based transcoding workflows and requirements
  • Encoding recommendations for multi-device publishing
  • Understanding your target devices and defining the most efficient set of profiles for your audience
  • Keeping costs down without sacrificing performance
  • Key considerations in designing your live event and file-based transcoding workflows
  • The need for scale, and potential for automation, of workflow
  • Cloud based storage and transcoding as an integrated service

Register here.

 

Steve Heffernan: A Streaming Media All Star

Congratulations to Zencoder co-founder and Video.js creator Steve Heffernan, who was named a 2012 Streaming Media All Star by Streaming Media Magazine. The winners represent an array of technology, services and content providers, all of whom strongly contribute to the rapidly evolving world of online video. Congrats to Steve and all of this year’s winners!

Read more at StreamingMedia.com

On the road to Pro – announcing features for professional video

This month we are announcing four new features that will make your videos more accessible, better sounding and more secure.

Closed Captioning

On April 30th several important regulations go into effect that will improve the accessibility of Internet video. To help our customers make their video more accessible and comply with the new law, Zencoder is announcing support for closed captioning on Apple HLS video from an external SCC file or an embedded caption track. Contact us for more information.

Dolby Digital Audio

Dolby sound is coming to Zencoder! We are pleased to announce that we’ve licensed Dolby Digital Plus audio encoding technology, bringing high quality, surround sound audio to a variety of devices. MIT research shows that audio quality is extremely important in the enjoyment of media. Stay tuned for the release announcement!

Digital Rights Management

Zencoder is the first cloud encoding provider to encrypt content for Microsoft PlayReady DRM technology and announced a partnership with leading service provider BuyDRM to manage DRM licenses. Contact us if you’re interested in integrating with PlayReady DRM.

Zencoder Secure Transfer – in Beta

Zencoder Secure Transfer combines Aspera fasp transfer acceleration technology with AES-256 encryption. This creates a secure pipeline for content all the way to transcoding. Interested in helping us test it? Fill out the Beta Tester Form!

 

Gauged2 Builds Video App for NYC and LA Marathons Using Heroku and Zencoder

The ING New York City Marathon is one of the world’s greatest road races, drawing more than 47,000 entrants and millions of spectators. For the 2010 event, one of the marathon’s sponsors, athletic products company ASICS, wanted to create a large interactive campaign to support the runners.

Veteran creative agency Vitro lent their artistic talents and the idea for www.supportyourmarathoner.com was born. Friends and family of marathon participants would upload videos, photos and text messages expressing support for their runners, which were then displayed as the runners passed electronic screens along the marathon route.

The firm had just three weeks to deliver a video sharing application and a website capable of registering over 47,000 marathon participants. Vitro approached interactive agency Gauged2 to develop the backend video infrastructure for the campaign.

Gauged2 co-founder Brian Burridge deployed the application on Heroku, eliminating the need for cumbersome server setup and configuration.  Reliability was essential; video was coming from a range of input sources, including cameras and cellphones, but had to be transcoded to a precise output: an FLV with the proper playback ratio of 1366×768.   Burridge chose Zencoder to process and compress video submissions from users.

Burridge also wanted the flexibility to create multiple thumbnails in order to visually represent video on the campaign website. “We uploaded the videos to the Zencoder service, and then had them converted to our specs. We implemented the callback so we could get the thumbnail file name and know if they completed O.K.”, said Burridge.

A cloud-based service allowed the agency to process thousands of videos without requiring any up-front investment in transcoding infrastructure, making the ambitious campaign vision a financial reality. “Working with Zencoder API was a very simple process and I would definitely use the service again”, continued Burridge.

The hard work paid off on marathon day, when thousands of participants got to see their friends and family cheer them on along the way. The site was hugely popular and was used again for the 2011 ING NYC Marathon and the  2012 Honda LA Marathon. Check out www.supportyourmarathoner.com to see the final results.

 

Rethinking Large Video Files in the Cloud: Strategies for Eliminating Bandwidth Bottlenecks

On March 8th, Zencoder, Aspera, Amazon Web Services and Netflix gathered in New York City to discuss cloud-based media workflow.  Zencoder is built on AWS, and in November we announced a partnership with Aspera to improve file transfer speeds to the cloud.  The event was the first opportunity that we’ve had to demonstrate the fruits of our “collaborative innovation“.

With scalable storage and processing, the cloud is the right place to do transcoding.  However, these advantages are attenuated by sluggish transfer speeds over the open Internet.

In his talk, Zencoder co-founder Jon Dahl presented four strategies for eliminating the bandwidth bottlenecks that crop up when using the cloud for transcoding. Moreover, he demonstrates that combining accelerated file transfer and parallel processing in the cloud results in a transcoding workflow that is up to 10x faster, and makes more efficient use of bandwidth, than on-premise solutions.

We’ve distilled the talk down to the article below, which is also available for download here.  Major content providers like Netflix use these techniques to optimize their cloud-based transcoding workflows.  While Netflix is a pioneering (perhaps the pioneering) user of the cloud, these techniques will be useful to any organization with large video files.

Rethinking Large Video Files in the Cloud: Strategies for Eliminating Bandwidth Bottlenecks

 

View more documents from Zencoder

 







Khan Academy and Support for Non-Profits

Online video impacts our day-to-day lives in many ways, from how we are entertained, to how we communicate and get the news. Perhaps the most exciting potential for positive impact is in education.

Today we’re thrilled to announce that we are providing encoding services to Khan Academy, for video that’s destined for its new iPad application. Khan has garnered lots of attention for using online video and technology to enable personalized learning across a mind-boggling array of topics.

Services like Zencoder make it easy for Khan Academy to deploy online video. Lead Developer Ben Kamens commented “Zencoder handles all of our video conversions and prep for the App Store automatically, which is a huge time saver for us. Without them, we’d be going through quite a bit more pain to send our educational videos to the iPad crowd.”

In support of Khan Academy’s vision, Zencoder will be providing qualified non-profits and non-profit educational institutions discounted video encoding services. For more information contact us at sales@zencoder.com

To learn more about Khan Academy, check out this in-depth 60 Minutes segment: http://youtu.be/zxJgPHM5NYI

Encoding trends from our first 20M files

Since we launched just two years ago, Zencoder has successfully encoded over 20 million audio and video outputs. (This only includes successful video and audio encodes.)

Read more.

Customer Q&A with Screenlight

Technology is changing the way that we communicate and collaborate on a number of things, not the least of which is video creation and production.  Today we’re highlighting Zencoder customer Screenlight.

Here are some words from Screenlight founder Chris Potter on the technology behind their service.

Want to be featured in a blog post?  Hit us up at info@zencoder.com and let us know what you’re up to

What do you do at Screenlight?

Screenlight offers a private video sharing and collaboration platform that makes it easy for video producers & editors to securely review videos with clients, get their feedback, and get video projects approved. The service solves communication and platform compatibility issues that people experience when using DVDs, email, FTP, YouTube, and custom solutions to review and approve videos.

Read more.